- Dam Busters (1955)
- Many war movies
- Fixed class structure
- Nostalgic
New Wave
- Saturday night, Sunday morning (1960)
- Working class Protagonist
- Gritty
- Strong sense of North/South divide
- Set against industrial background
- "kitchen sink" dramas
- Directors trained on documentary makers
"Swinging London"
- Italian job (1969)
- Optimist
- Interested in youth culture/fashion
- Class structure more fluid
- playful
1970s: post-hays code
- Get Carter (1971)
- More graphic depiction of sex and violence
- Gritty
- Amoral
- Anti-hero as protagonist
- Strong North/South divide
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